Abstract
This work reviews the resources that are used in dramatic works of Calderón de la Barca for the treatment of the representatives of the authority; that is, the presence on stage of what Gonzalo Correas calls «names of honor», for which the protocol of the sixteenth and seventeenth [...]Abstract
In Calderón’s plays, metatheatrical elements are especially concentrated in the last verses, where the characters break the theatrical illusion and address the audience to refer to aspects of the work itself and its representation, in search of applause. This article analyzes the [...]