Abstract

The authors have researched the renovating activities of the Teatre Estudi, nucleus of Lo Rat-Penat society, in which they distinguish two periods: the first, 1956-1957, under the presidency of Josep Alarte, and the second, 1958-1960, presided by Rafael Llorenç i Romaní. They offer a detailed follow-up of the plays performed for the first time, the mise-en-scène and the repercussion on audience attendance.