The author presents a study of Joan Brossa's Scenic Poetry, both from a reading of the texts and by a follow-up and analysis of their consummation on stage. This is a first approach to the performances of the period comprised between 1947 and 1959, and an advance of basic general conclusions.
Published on 01/01/93
Accepted on 01/01/93
Submitted on 01/01/93
Volume 8, Issue 1, 1993
DOI: 10.7203/caplletra.14.7447
Licence: CC BY-NC-SA license
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