Latest revision as of 16:40, 26 January 2023

Abstract

Lope de Vega’s autographs allow us to approach the genesis of a play, analyse the cross-outs, changes and additions of the playwright and understand his modus operandi. Moreover, these documents also contain annotations and corrections of other agents involved in the Golden Age Theatre market that could substantially modify the text. On many occasions, the philological and codicological analysis only allows making hypotheses about what happened and does not offer reliable solutions to questions about the composition of theatrical text. Through this paper, we present the results of the analysis of several of Lope de Vega auto-graph manuscripts done with techniques and instruments related to photography and spectroscopy ranging from spectral photography to X-ray fluorescence. We shall demonstrate that the application of these techniques to the study of manuscripts from the Spanish Drama of the Golden Age will also make it possible to obtain information that is relevant to and valuable in delving into the development and circulation of a particular work, but also in gaining a much more complete understanding of the formation of Spanish classical theatre.

Full document

References

Albertin, Fauzia, Bettuzzi, Matteo, Brancaccio, Rosa, and Casali, Franco, «X-Ray Computed Tomography in Situ: An Opportunity for Museums and Restoration Laboratories», Heritage, 2, 2019, pp. 2028-2038.

Boadas, Sònia, «Lope ante la puesta en escena: las acotaciones en las comedias autógrafas», in «Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII), ed. Luigi Giuliani and Victoria Pineda, Venezia, Edizioni Ca’ Foscari, 2018, pp. 91-116.

Calderón de la Barca, Pedro, El secreto a voces, ed. Wolfram Aichinger, Simon Kroll and Fernando Rodríguez-Gallego, Kassel, Reichenberger, 2015.

Duffy, Christina, «Multi-spectral Imaging at the British Library», 3rd Digital Heritage International Congress (DigitalHERITAGE) and 24th International Conference on Virtual Systems & Multimedia (VSMM 2018), San Francisco, USA, 2018, pp. 1-4.

Giovè Marchioli, Nicoletta, and De Rubeis, Flavia, «La scrittura di Sant’Ignacio di Loyola tra paleografia e chimica», in Dalla tutela al restauro del patrimonio librario e archivistico, ed. Melania Zanetti, Studi di archivistica, bibliografia, pa-leografia, 4, 2018, pp. 203-229.

Greer, Margaret Rich, and Kurtz, Gerardo, «Ayudas fotográficas y computarización de imágenes de manuscritos de difícil lectura», Nueva Revista de Filología Hispánica, 39.2, 1991, pp. 913-920.

Grota, Marcelo, «Historia menuda del primer facsímile español, El bastardo Muda- rra, de Lope de Vega», editado por Salustiano Olózaga (Madrid, 1864)», Revista de Llibreria antiquaria, 7, April 1984, pp. 5-9.

Hamilton, Earle (ed.), Lope de Vega, El cardenal de Belén. A Paleographic Edition, Lubbock, Texas Tech Press, 1948.

Knight, Barry, «Multi-spectral Imaging for the Codex Sinaiticus», Codex Sinaiticus Project website, 2009, 10th of june 2020: http://codexsinaiticus.org/en/project/conservation_msi.aspx.

MANOS, dir. Margaret R. Greer and Alejandro García Reid. Online: https://manos. net/?locale=es.

Masai, François, «Principes et conventions de l’édition diplomatique», Scriptorium. Revue internationale des études relatives aux manuscrits, 4, 1950, pp. 177-193.

Montaner, Alberto, «La fotografía hiperespectral y la restauración virtual de códices medievales: aplicación al manuscrito único del Cantar de Mio Cid», in Los códices literarios de la Edad Media : interpretación, historia, técnicas y catalogación, dir. Pedro M. Cátedra, San Millán de la Cogolla, Instituto de Historia del Libro y de la Lectura (CiLengua), 2009, pp. 261-281.

Presotto, Marco, Le commedie autografe di Lope de Vega. Catalogo e studio, Kassel, Reichenberger, 2000.

Presotto, Marco, «La dedicatoria autógrafa de Lope para la publicación de El cardenal de Belén», Anuario Lope de Vega. Texto, literatura, cultura, 26, 2020, pp. 500-533.

Rennert, Hugo, The Spanish Stage in the Time of Lope de Vega, New York, The Hispanic Society of America, 1909.

Schuler, Irmgard, Fontana, Carola, and Falcioni, Eugenio, «Oltre le visibile: tecniche fotografiche multispettrali per il recupero di materiale manoscritto», Miscellanea Bibliothecae Apostolicae Vaticanae, 23, 2017, pp. 569-609.

Torres Santo Domingo, Marta, «El primer facsímil del Quijote: la aventura editorial de Francisco López Fabra (1871-1879)», in El «Quijote» en las Bibliotecas Universitarias españolas, Ciudad Real, Universidad de Castilla-La Mancha, 2005, pp. 73-87.

Vega Carpio, Lope de, El cardenal de Belén, ed. Natalia Fernández Rodríguez, in Comedias de Lope de Vega. Parte XIII, coord. Natalia Fernández Rodríguez, Madrid, Gredos, 2014, I, pp. 845-1010.

Vega Carpio, Lope de, La niñez del Padre Rojas, ed. Diego L. Bastianutti, New York, Peter Lang, 1988.

Zoleo, Alfonso, «Le analisi spettroscopiche sul Diario spiritual di Sant’Ignazio in occasione del suo restauro», in Dalla tutela al restauro del patrimonio librario e archivistico, ed. Melania Zanetti, Studi di archivistica, bibliografia, paleografia, 4, 2018, pp. 257-274.

Zugasti, Miguel, and Greer, Margaret, «Develando al censor: censuras teatrales en la primera parte autógrafa de La santa Juana (1613), de Tirso de Molina», Talía. Revista de estudios teatrales, 1, 2019, pp. 27-66.